I actually have 'Figure Drawing Without a Model'... maybe I should just admit I've no patience with learning by anything but trial and error when it comes to drawing. Or am lazy.
All my sketchbooks end up in bits because I tear the page out after I've drawn something I'm pleased with. I've never kept them with an intent to preserve it as a unit.
I wondered why it didn't mention pastels at all.
I really don't get what it's going on about with the pencils. Clicky? What?
I really don't get what it's going on about with the pencils. Clicky? What?
http://www.architekturbedarf.de/Shop/Zeichnen/Zeichenbedarf/TK/tk.html :o) Of course, I have to guess as far as some of the English words for art supplies are concerned, but I think that's what it means.
I think I'm behind the times. I didn't know about those or soft erasers as being sold specifically for art or professional usage. I remember clicky pencils at school, that weren't much use, as an 80s fad. I always broke all the lead in like 2 minutes. I've been buying the same materials over and over for about 8 years whenever mine ran out.
I once read in some art book about what artists talk about: not the esoterics of their artistic vision, no... usually it's about supplies. (If not that, than it's legalities.) There's so much stuff on the market, it's impossible to keep track, let alone try it all out. So it really helps to ask around for tips.
I actually have 'Figure Drawing Without a Model'... maybe I should just admit I've no patience with learning by anything but trial and error when it comes to drawing. Or am lazy.
Nah, the trial and error method is still unbeatable. Basically you learn to draw by drawing. But some books can provide shortcuts. Like, one I forgot to mention is Jenó Barcsay's 'Anatomy for the Artist' (http://www.amazon.co.uk/exec/obidos/ASIN/0316907642/qid=1092433258/sr=1-1/ref=sr_1_8_1/202-1231425-1581433). Years ago I spent two weeks during the semester holidays doing nothing but copying (not tracing) drawings of muscle groups from that book, than learning the latin names. I'd try to reconstruct muscles from memory, then copy some more. Once I'd learned the whole system (Barcsay concentrates only on those muscles that show on the surface and are thus most interesting for the artist), I'd cut out pictures of scantily clad, well-built models from magazines and draw the muscles in the photos. First using the drawings from the book, later from memory. Then I'd start drawing figures from the imagination. That method saved so much time. And it was fun, but maybe I'm weird that way.
My sister has that one, I think. But it sounds like you have waaaaay more patience than I do. :)
I don't know if I could ever set my mind to something like that, because my attention is split by writing. So I start working on improving my drawing but then end up back scribbling stories before I've gotten very far. That's happened a few times.
no subject
All my sketchbooks end up in bits because I tear the page out after I've drawn something I'm pleased with. I've never kept them with an intent to preserve it as a unit.
I wondered why it didn't mention pastels at all.
I really don't get what it's going on about with the pencils. Clicky? What?
no subject
http://www.architekturbedarf.de/Shop/Zeichnen/Zeichenbedarf/TK/tk.html :o)
Of course, I have to guess as far as some of the English words for art supplies are concerned, but I think that's what it means.
no subject
no subject
I actually have 'Figure Drawing Without a Model'... maybe I should just admit I've no patience with learning by anything but trial and error when it comes to drawing. Or am lazy.
Nah, the trial and error method is still unbeatable. Basically you learn to draw by drawing. But some books can provide shortcuts. Like, one I forgot to mention is Jenó Barcsay's 'Anatomy for the Artist' (http://www.amazon.co.uk/exec/obidos/ASIN/0316907642/qid=1092433258/sr=1-1/ref=sr_1_8_1/202-1231425-1581433). Years ago I spent two weeks during the semester holidays doing nothing but copying (not tracing) drawings of muscle groups from that book, than learning the latin names. I'd try to reconstruct muscles from memory, then copy some more. Once I'd learned the whole system (Barcsay concentrates only on those muscles that show on the surface and are thus most interesting for the artist), I'd cut out pictures of scantily clad, well-built models from magazines and draw the muscles in the photos. First using the drawings from the book, later from memory. Then I'd start drawing figures from the imagination. That method saved so much time. And it was fun, but maybe I'm weird that way.
no subject
I don't know if I could ever set my mind to something like that, because my attention is split by writing. So I start working on improving my drawing but then end up back scribbling stories before I've gotten very far. That's happened a few times.